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Grateful Dead Live at Rubber Bowl, University of Akron on 1986-07-02




Set 1 (partial)

Little Red Rooster*, Don't Think Twice It's Alright*, It's All Over Now Baby Blue*, Candyman, Me & My Uncle-> Mexicali Blues, Don't Ease Me In

Set 2

China Cat Sunflower-> I Know You Rider, Playin' In The Band-> Desolation Row**-> Drums-> Truckin'-> Black Peter-> Sugar Magnolia, E: Box Of Rain

*W Bob Dylan, **Without Jerry.


Collection GratefulDead
Band/Artist Grateful Dead
Venue Rubber Bowl, University of Akron
Location Akron, OH

Source 2 Nakamichi CM100s/ CP1>Sony WMD6 Maxell XLII cassette masters. No Dolby was used on the Master Cassettes. FOB Phil's side about 35 yards from stage chest high mic stand
Lineage The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions).
Taped by Dave Cohen
Transferred by Dave Cohen

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665
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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17
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
Grateful Dead
by Grateful Dead
649
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.
Grateful Dead
by Grateful Dead
514
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo
Grateful Dead
by Grateful Dead
1,897
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2
( 2 reviews )
Source: Nakamichi CM 100's with CP-4 shotguns -> D-5
Grateful Dead
by Grateful Dead
596
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0
Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90)
Grateful Dead
by Grateful Dead
1,233
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1
( 1 reviews )
Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90)
Grateful Dead
by Grateful Dead
542
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
282
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Source: Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
1,166
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII)